Interview in an ordinary interior
A few changes to the background, colour and arrangement of objects can give an incidental location a coherent character.
The space within the frame
Production designer for your film shoot
Concept and preparation of spaces for commercials, interviews or branded content — from a single frame to a more elaborate set.
Call: +48 512 917 945In brief
A considered frame begins before the camera is set up
The production designer shapes the colours, textures, furniture, props and details visible in the image. Even for a simple interview, they can remove distracting elements and create a background that suits the character of the brand. On a commercial, their work can extend from references through set preparation and strike.
When it helps
When does production design make a real difference?
It is not about the number of decorations. What matters most is making deliberate use of the space the camera sees.
Product film
Materials, surfaces and props establish the product’s context and help control reflections and proportions.
Commercial with a strong brand identity
Production design brings references, brand guidelines and the director’s vision together in one space ready to be lit.
Scope of work
From references to a camera-ready set
The scope can cover a small arrangement or full preparation of a space, including prop logistics.
01
Concept
Reviewing the brief, references, brand guidelines and the frames planned by the camera operator.
02
Element list
Selecting furniture, backdrops, textures and props, then identifying what needs to be bought, hired or made.
03
Set preparation
Arranging the space, checking every element in frame and collaborating during the lighting test.
04
Continuity and strike
Maintaining the arrangement between shots and restoring the location after filming.
Specialist + equipment
Production design works hand in hand with lighting
Wall colour, surface sheen and the distance between the background and subject all affect the choice of lighting and lenses. The production designer, operator and gaffer should therefore agree the main frames before the shooting day, even when the set-dressing requirement is modest.
View lighting resourcesA small arrangement or full production design?
For a single interview, it may be enough to assess the location, tidy the background and add a few carefully chosen elements. A larger commercial may require a design, purchasing, transport and advance installation. In either case, we agree the scope before preparing the quote.
A simple process
How do you book a specialist?
01
Brief and dates
Tell us the date, location, type of production and the approximate length of the shooting day.
02
Scope and support
We agree the specialist’s responsibilities, required equipment, other roles and logistics.
03
Confirmation
You receive a clear scope and quote. The booking is confirmed once you approve them.
Frequently asked questions
Before you send an enquiry
01Can the production designer work from brand guidelines?
Yes. Colours, materials and props can be selected to match the brand identity and references supplied by the client.
02Can you source the props?
This can be included in the service. Before quoting, we agree who is responsible for purchases, hires, transport and returns.
03How much preparation time is needed?
A simple arrangement can be created quickly, but a design involving custom fabrication or unusual props requires an earlier brief and approval.
04Can I hire a production designer for a single interview?
Yes. A small scope makes sense when you want a professional, uncluttered background that remains consistent with your brand.
Dates and scope
Tell us briefly about your production.
Send the dates, location and type of shoot. We will reply with availability, scope and the required support package.