Frequent package changes
Moving from a tripod to a gimbal, shoulder rig or slider requires careful control of balance, cables and accessories.
Camera department support
Camera assistant for your shoot
Support with preparing the camera package, changing lenses, power, recording media, monitoring and — when the production calls for it — focus pulling.
Call: +48 512 917 945In brief
Less downtime and greater control of the equipment
The camera assistant keeps the camera system technically ready so the operator can concentrate on the image. This is especially important when configurations change frequently, several lenses are in use, the shooting day is long or the production is working with unfamiliar equipment.
When it helps
When does a camera assistant add the most value?
Not every production needs a large camera department. There are, however, situations in which one additional crew member saves a great deal of time.
Manual focus pulling
With a shallow depth of field, moving talent or cinema lenses, a dedicated crew member can take responsibility for focus.
Multiple lenses and recording media
Lens changes, card labelling, battery swaps and keeping cases organised no longer hold up the operator.
Scope of work
What can a camera assistant take care of?
The scope depends on the size of the shoot and the configuration. We agree it before the equipment is released.
01
Camera system test
Building the camera, lenses, power and monitoring system, then making a test recording before shooting begins.
02
Lens handling
Safe lens changes and checks of the mount, filters, matte box and optical surfaces.
03
Media and power
Rotating cards and batteries, keeping them clearly labelled and informing production when reserves are running low.
04
Rig reconfiguration
Efficiently moving between tripod, gimbal, slider and handheld configurations.
Specialist + equipment
A camera assistant with GetCamera equipment
The assistant can collect a prepared package, deliver it to the set and supervise its configuration throughout the shoot. This works well when you hire a more complex camera system or want to reduce the time needed to become familiar with a new model.
View movement and stabilisation equipmentThe difference between an operator and an assistant
The operator is responsible for the image and for operating the camera. The assistant is responsible for the technical readiness of the package and the speed with which it is handled. On a smaller crew, some duties may overlap, but responsibilities should be agreed before the first shot.
A simple process
How do you book a specialist?
01
Brief and dates
Tell us the date, location, type of production and the approximate length of the shooting day.
02
Scope and support
We agree the specialist’s responsibilities, required equipment, other roles and logistics.
03
Confirmation
You receive a clear scope and quote. The booking is confirmed once you approve them.
Frequently asked questions
Before you send an enquiry
01Can the camera assistant pull focus?
They can work as a focus puller if we agree this responsibility before the production and the package includes a suitable follow-focus system.
02Can an assistant be added to an equipment-only hire?
Yes. An assistant can help deliver, prepare and operate GetCamera equipment on set.
03Can the package be prepared the day before?
This depends on availability and the hire period. Mention the need for a pre-light or test in your initial enquiry.
04Do I need an assistant for a single-camera shoot?
Not always. An assistant is particularly helpful for manual focus pulling, multiple lens changes or frequent rig reconfigurations.
Dates and scope
Tell us briefly about your production.
Send the dates, location and type of shoot. We will reply with availability, scope and the required support package.